Śrī-Rādhā-Rasa-Sudhā-Nidhiḥ 3 (comm. by Śrī Anantadāsa Bābājī Mahārāja)

 

ब्रह्मेश्वरादि-सुदुरूह-पदारविन्द-

श्रीमत्पराग-परमाद्भुत-वैभवायाः ।

सर्वार्थसार-रसवर्षि-कृपार्द्रदृष्टे-

स्तस्या नमोऽस्तु वृषभानुभुवो महिम्ने ॥ ३ ॥

brahmeśvarādi-sudurūha-padāravinda-

śrīmat-parāga-paramādbhuta-vaibhavāyāḥ |

sarvārtha-sāra-rasa-varṣi-kṛpārdra-dṛṣṭes

tasyā namo’stu vṛṣabhānubhuvo mahimne || 3 ||

“I bow to the glory of Vṛṣabhānu-Nandinī Śrī Rādhā, the dust of whose lotus feet is difficult for even Brahmā and Śiva to obtain. She possesses astonishing power, and from her compassionate glance, that most valuable of all things, love for Śrī Kṛṣṇa, showers in ceaseless streams.”

The Glory of Śrī Rādhā

Rasa-Varṣiṇī-Vyākhyā: In the first two verses, the venerable author has followed the method handed down by the mahājanas in offering a maṅgalācaraṇa praising the object of his devotion. In most verses of the book, he has described his experience of līlā obtained through visions while in his siddha-svarūpa, as in the preceding verse where he defines the subject-matter to be discussed while experiencing one of his visions. In this verse, he sings the glories of his object of devotion while in sādhaka consciousness. citta-dṛḍha kari lāge mahimā-jñāna haite (Śrī-Caitanya-Caritāmṛta, Ādi 2.118). “The mind becomes strong and firm through knowledge of divine power.” Rasa is established on the basis of tattva (principle, philosophy). If the tattva is excluded, one may consider līlā-rasa to be mundane. Śrīmat Jīva Gosvāmipāda has said, bhagavāṁs tāvad asādhāraṇa-svarūpaiśvarya-mādhuryas tattva-viśeṣaḥ (Laghu-Toṣaṇī-Vyākhyā of Śrīmad-Bhāgavatam 10.12.10). “Bhagavān is a particular tattva that by nature possesses both extraordinary power and sweetness.” Śrī Rādhā, non-different from Śrī Kṛṣṇa and known as his hlādinī-śakti, also possesses extraordinary power and sweetness. We can read Śrī Nārada’s glorious praise of Śrī Rādhā in the fortieth chapter of Padma-Purāṇa, Pātāla-Khaṇḍa. Vrajadhāma is the abode of mādhurya and Śrī Rādhārāṇī is the direct embodiment of mādhurya. For this reason, the Gauḍīya Vaiṣṇava ācāryas have held up the descriptions of Śrī Rādhā’s mādhurya before the vraja-rasa-sādhakas of the world. Still, because the beautiful palace of mādhurya has been built upon a foundation of aiśvarya, the Gosvāmīs from time to time have given us a hint of Śrī Rādhā’s power or glory. Therefore, Śrīmatī’s vast power has been described in this verse and the next.

The dust from Śrī Rādhā’s lotus feet, which is difficult for Brahmā and the other gods to attain, possesses astonishing power. In Brahmā’s prayers of glorification in the Śrīmad-Bhāgavatam, he offers a beautiful hymn filled with power and sweetness. He is amazed by the mādhurī of Śrī Kṛṣṇa’s boyhood pastimes of eating with his friends on the river bank and so on. Then he prays,

tad bhūri-bhāgyam iha janma kim apy aṭavyāṁ 

yad gokule’pi katamāṅghri-rajo-’bhiṣekam |

yaj-jīvitaṁ tu nikhilaṁ bhagavān mukundas 

tv adyāpi yat-pada-rajaḥ śruti-mṛgyam eva || (Bhāg. 10.14.34)

“O Lord! By your mercy I will obtain a birth wherein I will be anointed with the dust from the feet of a Vrajavāsī, whose entire life rests in you, Mukunda, whose foot-dust is sought by the śrutis even now. I think such a birth would be a million times more virtuous than my birth as Brahmā!” In his Sārārtha-Darśinī commentary on this verse, Śrīla Viśvanātha Cakravartipāda has essentially written that Brahmā, astounded by the good fortune of the vraja-gopas, was not courageous enough to desire their foot-dust. He instead prays for birth as a pebble by the gate of a lower class family living on the outskirts of Gokula so he may anoint his body with the dust from their feet. Therefore, one can easily deduce that the dust of the most loving Vṛṣabhānu-Nandinī Śrī Rādhā’s lotus feet is in all respects very difficult for Brahmā to obtain. Because the foot-dust of the gopas and gopīs is very rare in Kailāsa, Śiva’s realm, Śrīman Mahādeva resides in Vraja as Gopīśvara with the hope of obtaining some. But, knowing that one may obtain Śrī Kṛṣṇa by seeing and serving Śrīman Mahādeva, Śrī Rādhā and the other gopīs desire the dust from his feet. Therefore, Śrī Rādhā’s foot-dust remains very difficult for Śrīman Mahādeva to obtain. Or it could be deduced that the pollen from Śrī Rādhā’s lotus feet is so glorious that it is even difficult for the powerful Śrī Lakṣmīdevī to obtain. In the statements of the nāgapatnīs in the kasyānubhāvo’sya na deva vidmahe verse of Śrīmad-Bhāgavatam (10.16.36), we see that even though Śrī Lakṣmīdevī voluntarily gives up the treasure of Śrī Nārāyaṇa’s personal association and performs severe austerities in the hope of obtaining Śrī Kṛṣṇa’s foot-dust in Śrī Vṛndāvana, she is still unable to do so. The Gosvāmīs have said that because Śrī Lakṣmīdevī, the queen of vast opulence, is unable to worship the foot-dust of mādhuryamayī Śrī Rādhā, it is not possible for her to obtain the mercy of Śrī Govinda. gopī-anugati binā aiśvarya-jñāne, bhajileha nāhi pāya brajendranandane; tāhāte dṛṣṭānta lakṣmī karilā bhajana, tathāpi nā pāila braje brajendranandana (Śrī-Caitanya-Caritāmṛta, Madhya 8.230-231). “If one worships Vrajendranandana in the aiśvarya mood rather than following the mood of the gopīs, one will not attain him. For example, even though Śrī Lakṣmīdevī worshipped Vrajendranandana, she was still unable to fulfill her desire.” If she were able to worship the dust from Śrī Rādhārāṇī’s lotus feet, then she would undoubtedly attain Śrī Govinda’s companionship. Without that, her austerities bear no fruit. Therefore, Śrī Rādhā’s foot-dust has perpetually remained very difficult for Śrī Lakṣmī, the Goddess of Vaikuṇṭha, to obtain. It should be understood that in the phrase brahmeśvarādi, ādi (and so on) refers to Uddhava and others. Astonished by seeing the exalted nature of the gopīs, Śrī Uddhava Mahāśaya worshipped them from afar, thinking their foot-dust most difficult to obtain. Eager to be anointed with that dust, he prayed to be born as a blade of grass or a shrub in Vraja. His statements have been written in letters of gold in Śrīmad-Bhāgavatam 10.47.57-63. So it goes without saying that the foot-dust of Śrī Rādhā, the foremost of the gopīs, is extremely difficult for him to obtain.

Or by saying brahmeśvarādi, it could mean that Śrī Rādhā’s glory is so astonishing that her lotus foot-dust is difficult for even the primeval Lord Śrī Kṛṣṇa himself to obtain, not to speak of Lord Brahmā. People always yearn for things that are hard to get. It is said that while longing for Śrī Rādhā’s incomparable foot-dust, Śrī Kṛṣṇa assumed the form of the poet Jayadeva and personally supplied a missing line of verse in Śrī-Gīta-Govinda, writing the words dehi pada-pallavam udāram. The gist of Śrī-Rādhā-Rasa-Sudhā-Nidhiḥ 201 is that one day, Śrīmatī was sulking because of a lover’s quarrel with Kṛṣṇa, so to win her sakhīs over to his side, Kṛṣṇa placed Śrīmatī’s feet upon his head. This appeased Śrīmatī, but now her feet began to perspire a bit and the crimson lac-dye on them became moist. The dampened lac-dye colored Kṛṣṇa’s head and caused his peacock-feather crown to slip off! This is why Śyāma is the emperor of the kingdom of rasa! By taking her feet upon his head he became the foremost of rasikas. This is not a decline in his status, but rather his greatest glory and the essence of his divinity. Therefore, to discover his own virtue, he had long yearned for the dust of Śrī Rādhā’s lotus feet. But Śrī Rādhā is very difficult for him to attain. kabhu mile kabhu nā mile daibera ghaṭana (Śrī-Caitanya-Caritāmṛta, Ādi 4.31). “By destiny we meet or remain apart.” So Śrī Rādhā’s foot-dust is also very difficult for him to obtain. The reasoning behind his abundant love for Śrī Rādhā is not just based on someone’s personal opinion or contrivance, but rather on powerful scriptural authority. In Śrīmad-Bhāgavatam 11.14.16, Śrī Bhagavān said to Śrī Uddhava, anuvrajāmy ahaṁ nityaṁ pūyeyety aṅghri-reṇubhiḥ. “I follow at the heels of the bhaktas, hoping to be purified by smearing their foot-dust on my body.” In the Krama-Sandarbha commentary on this verse, Śrīmat Jīva Gosvāmipāda has written, tad-bhakty-aniṣkṛti-doṣāt pavitritaḥ syām iti bhāvenety arthaḥ. “Unable to repay those devotees who always selflessly worship me, I secretly smear their foot-dust on myself, purifying me of any sins for which I have not yet atoned.” It goes without saying that by this reasoning, Śrī Kṛṣṇa’s desire for the foot-dust of Śrī Rādhā, his greatest and most loving devotee, is everlasting and very logical. Such sweet interpretations are most enjoyable for Vṛndāvana’s rasa-sādhakas.

Moreover, sarvārtha-sāra-rasa-varṣi-kṛpārdra-dṛṣṭeḥ: Śrī Rādhā’s merciful glance showers rasa, that most valuable of all things. It means that wherever her compassionate glance falls, śrī-kṛṣṇa-prema-rasa, the highest of all human objectives, is showered in ceaseless streams. Love for Śrī Kṛṣṇa has been called the highest of all human objectives. kṛṣṇa-viṣayaka-premā pañcama-puruṣārtha, yāra āge tṛṇa-tulya cāri puruṣārtha; pañcama-puruṣārtha premānandāmṛta-sindhu, mokṣādi ānanda yāra nahe eka-bindu (Śrī-Caitanya-Caritāmṛta, Ādi 7:84-85). “The fifth puruṣārtha (object of human pursuit) is love for Śrī Kṛṣṇa, before which the other four are like straw. This fifth puruṣārtha is an ocean filled with the nectar of joyful love, compared to which the joy of liberation and so on is less than a drop.” Love for Śrī Kṛṣṇa blesses the bhakta with the boundless experience of Kṛṣṇa’s sweetness. pañcama-puruṣārtha ei prema mahā-dhana, kṛṣṇera mādhurya-rasa karāya āsvādana; premā haite kṛṣṇa haya nija-bhakta-baśa, premā haite pāya kṛṣṇera sebā-sukha-rasa (Śrī-Caitanya-Caritāmṛta, Ādi 7.144-145). “This prema is the greatest treasure; it causes one to taste Śrī Kṛṣṇa’s mādhurya-rasa. Because of prema, Kṛṣṇa comes under the control of his bhakta. Because of prema, the bhakta feels the joy of serving Kṛṣṇa.” By Śrī Rādhā’s merciful glance alone, even without performing sādhanā, one is showered with an endless stream of prema-rasa, the highest puruṣārtha. There are no words to describe her compassionate glance. Just by seeing Śrī Rādhārāṇī, one obtains love for Śrī Kṛṣṇa without any endeavor. In Padma-Purāṇa, Pātāla-Khaṇḍa, chapter 40, Śrī Nārada personally experienced this after receiving Śrī Rādhā’s darśana. He said, asyā sandarśanād eva govinda-caraṇāmbuje, yā premārddhir abhūt sā me bhūta-pūrvā na karhicit. “By merely seeing her, I obtained love for Śrī Kṛṣṇa’s lotus feet, something I had never experienced before.” In Bṛhad-Bhāgavatāmṛta 2.5.233, Śrīmat Sanātana Gosvāmipāda wrote, sā rādhikā bhagavatī kvacid īkṣyate cet, premā tadānubhavam ṛcchati mūrtimān saḥ. “If one directly sees Śrī Kṛṣṇa’s most beloved Śrī Rādhikā, he then directly perceives the embodiment of prema, Śrī Kṛṣṇa.” Now the time has come for this to manifest in this particular kali-yuga. Accepting the mood and complexion of Śrī Rādhā, Śrī Bhagavān has incarnated in the world as Śrī Gaurasundara. Because it is Śrī Rādhā’s complexion, when the worldly jīvas see his bright, golden radiance, they are blessed with prema. This is the power of Śrī Rādhā’s splendor. In the next verse of Bṛhad-Bhāgavatāmṛta (234), we see the following:

cet kṛṣṇa-candrasya mahāvatāras 

tādṛg nija-prema-vitānakārī |

syād vā kadācid yadi rādhikāyāḥ 

premānubhūtiṁ tad upaity athāpi ||

“If some great incarnation of Śrī Kṛṣṇa comes to distribute prema, or if some incarnation of Śrī Rādhā appears, then by seeing that avatāra one can realize prema.” This verse is speaking of Śrīman Mahāprabhu.

Or, Śrī Rādhā’s merciful glance is a nectar-shower of śrī-kṛṣṇa-prema, the highest of all things desired. Śrī-kṛṣṇa-prema combined with Śrī Rādhā’s prema-mādhurya is so very sweet. Śrī Rādhā is the embodiment of Śrī Vṛndāvana’s mādhurya; she is the essential element of vṛndāvana-līlā. The gist of Śrī Rādhā-Rasa-Sudhā-Nidhiḥ 80 is that the enjoyment one gets from worshipping Śrī Kṛṣṇa without Śrī Rādhā is only an insignificant drop. Śrīman Mahādeva said,

gaura-tejo vinā yas tu śyāma-tejaḥ samarcayet |

japed vā dhyāyate vāpi sa bhavet pātakī śive ||

“O Pārvatī! Those who perform meditation, japa or worship of Śrī Kṛṣṇa without Śrī Rādhā remain sinful.” Therefore, the very life of kṛṣṇa-prema is love for Śrī Rādhā. I bow to the glory of Śrī Rādhā, whose merciful glance showers us with love for Śrī Kṛṣṇa.

Śrī-Śrī-Gaura-Govinda-Līlāmṛta Guṭikā 7

The minnow-like eyes of the sakhīs and mañjarīs swam happily in the ocean of Śrī Yugala’s incomparable beauty. The girls began to talk with each other, speaking in sweet, muffled voices. Someone said, “Look friend! Rādhā and Kṛṣṇa together are beautiful like a sapphire inlaid with gold.” Someone else said, “But friend, that is too hard. I’m thinking of something very soft, like a blue lotus and a golden lotus glistening with the nectar of beauty.” Hearing that, someone replied, “But a lotus withers at night. In my mind, they are like a streak of lightning embraced by a newly-formed rain cloud.” Someone else said, “A streak of lightning is restless; they are tranquil. They are like a young tamāla tree caressed by a golden creeper.” Another girl said, “But friend, those are immobile. These two are directly the sweet union of śṛṅgāra (the erotic sentiment) and prema-rasa (the nectar of love). Nothing in the world compares to our Śrī Yugala. They can only be compared to themselves.” Another said, “Friend! Look! Look at the sweet smile blossoming on Śrīmatī’s lovely face as she sleeps in her lover’s arms.” Yet another girl said, “I think she smiled after looking at her sweetheart’s face and then immediately fell asleep. Therefore, her smile remains.” After hearing the sakhīs’ conversation, the sādhaka-dāsī felt delighted and began to swim in a sea of rasa.

Meanwhile, at Vṛndā’s cue, the birds, bees and so on began to sing in soft, sweet tones. The nectar-thirsty bees made a humming sound like that of Kāmadeva’s auspicious conch shell as they flew about a cluster of blossoming flowers. Like Kāma’s vīṇā, the cuckoos began to sing kuhū kuhū in the fifth note. The peacocks and peahens tried to rouse Śrī Yugala with the sound ke kā. Though being awakened by the sweet calls of the birds, Śrī Rādhā-Kṛṣṇa remained on the bed in close embrace, dreading their separation. They were unable to give up their charming pleasure-bed, though being anxious that the night had ended. Śrī Śuka Muni, who is an expert on the Bhāgavata, is skillful (dakṣa) and wise (vicakṣaṇa) in waking the world from its illusory sleep through beautiful stories. In the same way, two parrots named Dakṣa and Vicakṣaṇa in the Vraja bower were directed by Vṛndā to sing a melodious song to waken the tired couple from their pleasant slumber. Dakṣa sang, “O one who is skilled in all the pastimes of love! O one who is nectar for the gopīs’ eyes! O one who is like a drunken elephant in his sweetheart’s river of love! O one who floods the whole world with a river of his sweetness! O ocean of rasa! It is no wonder that you fell asleep after drowning in the joy of tasting your lover’s lips. But the night, which gives the time for your līlā, has now ended and cuts short your festival of rasa.* Therefore, you must quickly wake up!”

Then Vicakṣaṇa began to sing, “O joy of Gokula! O moon risen from the ocean of Nanda’s heart! O blossom from the creeper of Vrajeśvarī’s virtue.** O master! Please give up your sleep and loosen the bond of your darling’s close embrace. Get ready to go to Vraja. The night has become morning and the sun has risen in the east. Eager to see your moonlike face, your mother is right now headed to your bedroom along with Paurṇamāsī Devī. Therefore, go home and make your family happy.”

*The word for night here is kṣaṇadā. Kṣaṇa means a length of time. Dā means either giving or cutting.

**Vicakṣaṇa is trying to awaken Śrī Kṛṣṇa’s madhura-rasa-submerged mind by reminding him of his mother and father. The reason for this is that vātsalya-rasa and madhura-rasa are disharmonious. 

Śrī-Śrī-Gaura-Govinda-Līlāmṛta Guṭikā 6

After the rāsa-līlā, Śrī Rādhā-Kṛṣṇa are lying on a bed in Hemāmbuja Kuñja. All the sakhīs are sleeping in their respective kuñjas. In the north, the sādhaka-dāsī sleeps at the feet of Śrī Gurudevī and the other guru-mañjarīs. The birds and bees sleep in various trees and creepers in all directions. Male and female cuckoos sleep in mango trees covered by mādhavī creepers. Parrots sleep in pomegranate trees covered by mālatī creepers. Mynahs sleep in grapevines covered by svarṇa-yūthī creepers. Peacocks and peahens sleep in kadamba trees covered by yūthī creepers. Male and female pigeons sleep in pīlu trees covered by navamallikā creepers.* The bees sleep on creepers and the cocks on the ground.

The kiṅkarīs awoke spontaneously when the end of night arrived, as they were accustomed to performing sevā. Dazed, they looked anxiously about in all directions. Realizing that the time for their sevā had not passed, they sat silently on their beds, yawned and then began to joke with one another. After being touched by the vernal breeze and the moonlight, the flowers blossomed and spread their fragrances all around. The bees, cuckoos and so on then awoke and became eager to wake Śrī Yugala. They waited silently for Vṛndā’s order. The sādhaka-dāsī rose from bed and, after washing her hands and face, she woke Śrī Gurudevī by massaging her lotus feet and then helped her to wash her hands and face. Like this, she served the guru-mañjarīs along with Śrī Rūpa and the other mañjarīs. Then, by the order of Śrī Gurudevī, she prepared sitting places by cleaning the terraces and benches of the nikuñja-mandira with fragrant water and a golden broom, and then dried them with a cloth. For washing Rādhā and Kṛṣṇa’s faces, the sādhaka-dāsī placed a golden basin next to a golden pot filled with fragrant water and covered with a delicate cloth. She ground sandalwood paste, saffron, other flower filaments and so on and kept them in individual golden vessels. She squeezed the juice from grapes, pomegranates and other sweet fruits and kept it in golden jars alongside goblets. She prepared golden tāmbūla scented with camphor and so on. She prepared ghee and camphor lamps for ārati. She gathered flowers and strung garlands. In this way, she created the articles required for all the seasonal sevā.

Meanwhile, Vṛndādevī awoke at the appropriate time. Alarmed, she looked around and then realized it was time to wake Śrī Śrī Rādhā-Kṛṣṇa. She signaled the birds to make noise and then joined Lalitā and the other sakhīs at the four sides of Rādhā-Kṛṣṇa’s sleeping mandira. They gazed through the holes in the lattice windows at Śrī Yugala as they slept. The sādhaka-dāsī bowed to everyone’s feet and then stood to the left of Śrī Gurudevī, overwhelmed by the sight of Śrī Yugala’s sweetness. 

Śrī Śrī Rādhā-Mādhava were sleeping in a bed of flowers on a jeweled bedstead. Their transcendental beauty illuminated the sleeping mandira. They were tired from making love; their clothing and ornaments had fallen. One end of the mandira appeared bluish due to the luster of Śrī Kṛṣṇa’s body, while the other was tinged yellow by Śrī Rādhā’s. Priyājī’s head rested on Kṛṣṇa’s left arm and with hers she embraced Kṛṣṇa’s neck. Śrī Kṛṣṇa’s right knee rested on Priyājī’s large hips. Her breasts had been entrusted to his chest and her moonlike face touched his. At the top of four golden poles at the four corners of the jeweled bedstead, a colorful canopy fringed with pearls and marked with swastikas, lotuses and so on had been tied. Golden statuettes bearing jeweled lamps were attached to the surrounding walls along with garland-decorated paintings of Rādhā-Kṛṣṇa’s pūrva-rāga. The bower house was perfumed with the aroma of fragrant essential oils, rose-water, musk and so on. Around the bed sat small golden tables holding fruit juices, sweets, tāmbūla and other articles meant for sevā.

*Mādhavī means myrtle creeper and the others are all types of jasmines.

 

Śrī-Rādhā-Rasa-Sudhā-Nidhiḥ 2 (comm. by Śrī Anantadāsa Bābājī Mahārāja)

 

यस्याः कदापि वसनाञ्चलखेलनोत्थ-

धन्यातिधन्य-पवनेन कृतार्थमानी ।

योगीन्द्रदुर्गमगतिर्मधुसूदनोऽपि 

तस्या नमोऽस्तु वृषभानुभुवो दिशेऽपि ॥ २ ॥

yasyāḥ kadāpi vasanāñcala-khelanottha-

dhanyātidhanya-pavanena kṛtārtha-mānī |

yogīndra-durgama-gatir madhusūdano’pi 

tasyā namo’stu vṛṣabhānu-bhuvo diśe’pi || 2 ||

I bow in the direction of Śrī Rādhā, the beloved daughter of Vṛṣabhānu. Even Madhusūdana Śrī Kṛṣṇa, who is difficult for the greatest yogīs to attain, thinks himself crowned with success when now and then he is touched by the blessed breeze risen from the movement of the border of her dress.

Invocation 2

Rasa-Varṣiṇī-Vyākhyā: By the boundless mercy of Śrīman Mahāprabhu, Śrīla Prabodhānanda Sarasvatīpāda has experienced Vraja’s lofty ujjvala-rasa-bhakti and considers himself a maidservant of Śrī Rādhā, devoted to her service in the bowers of Vraja. In his book Śrī-Gaura-Gaṇoddeśa-Dīpikā, Śrīpāda Kavi Karṇapūra has referred to Śrīla Prabodhānanda Sarasvatī as vraja-līlā’s Tuṅgavidyā Sakhī. But when reflecting upon this book, Rādhā-Rasa-Sudhā-Nidhi, one sees a very wonderful expression of rādhā-dāsya or mañjarī-bhāva in Śrīpāda’s heart. He is the embodiment of Śrī Gaura’s compassion. In many verses of this book, we get to see Śrīpāda’s eager and charming prayers for service to Śrī Rādhā. The highest and most cherished ambition for the Gauḍīya Vaiṣṇava ācāryas is to attain rādhā-dāsya, or more specifically, rādhā-snehādhikā-bhāvollāsa-rati. Śrīla Rūpa Gosvāmipāda wrote the following:

sañcārī syāt samonā vā kṛṣṇa-ratyāḥ suhṛd-ratiḥ |

adhikā puṣyamāṇā ced bhāvollāsa itīryate || (BRS 2.5.128) 

“Among the friends of Śrī Rādhārāṇī, some possess love for Śrī Rādhā that is equal to or a little less than for Śrī Kṛṣṇa. Love for Śrī Kṛṣṇa is their sthāyī-bhāva and their love for Śrī Rādhārāṇī is a sañcārī-bhāva. But those whose love for Śrī Rādhā is greater than for Śrī Kṛṣṇa possess the love called bhāvollāsā.” This bhāvollāsā-rati is the sthāyī-bhāva for those maidservants of Śrī Rādhā whose love is greater for her. This is the most enjoyable and attractive subject matter for the Gauḍīya Vaiṣṇava ācāryas. Śrīpāda Raghunātha Dāsa Gosvāmicaraṇa wrote the following in Vraja-Vilāsa-Stava 38:

tāmbūlārpaṇa-pāda-mardana-payo-dānābhisārādibhir

vṛndāraṇya-maheśvarīṁ priyatayā yās toṣayanti priyāḥ |

prāṇapreṣṭha-sakhī-kulād api kilāsaṅkocitā bhūmikāḥ

keli-bhūmiṣu rūpa-mañjarī-mukhās tā dāsikāḥ saṁśraye ||

“I take shelter of those maidservants of Vṛndāvaneśvarī Śrī Rādhā headed by Śrī Rūpa Mañjarī. They provide for Śrī Rādhā’s pleasure by offering tāmbūla, massaging her feet, bringing water, arranging love trysts and so on. Their roles allow them to enter and leave Śrī Rādhā-Kṛṣṇa’s secret pastime sites even more freely than the prāṇapreṣṭha-sakhīs like Śrī Lalitā and others.”

After observing the abundance of that kiṅkarī-bhāva (maidservant mood) in Śrī-Rādhā-Rasa-Sudhā-Nidhi and finding Śrīpāda in the form of Śrī Rādhā’s devoted friend and maidservant, we shall try to taste the rasa-mādhurya here. Śrīpāda’s experiences in his cherished siddha-deha and his prayers as a sādhaka shall combine to give us one charming means to our end.

Occasionally when Śrīpāda is in his siddha-svarūpa—in the consciousness of being a devoted maidservant of Śrī Rādhā—he is blessed with sudden direct mystical visions of līlā and sevā. After the vision is over, in his external consciousness or sādhaka state of mind, he prays longingly for sevā at Śrīmatī’s feet. In this way, he experiences each verse in sequence. Even in his sādhaka mood, the deep hum of rādhā-dāsya is present. He thinks of himself as a maidservant of Śrī Rādhā. For the sādhaka also, it is necessary that this mood be awakened to some degree. Meditation upon oneself in the siddha-svarūpa given by one’s guru is the bhūta-śuddhi for Gauḍīya Vaiṣṇavas. Therefore, by adopting this meditation during śravaṇa-kīrtana, the sādhaka will no doubt become competent to taste the abundant rasa-mādhurī of this book.

First, absorbed in his sādhaka mood, he offers another maṅgalācaraṇa. sei maṅgalācaraṇa haya tribidha prakāra, bastu-nirdeśa āśīrbāda āra namaskāra (Śrī-Caitanya-Caritāmṛta, Ādi 1.22). “The maṅgalācaraṇa includes three processes: ascertaining the subject matter, giving blessings and offering obeisance.” In the verse under discussion, the three aspects of a maṅgalācaraṇa have been clearly expressed. tasyā namo’stu vṛṣabhānu-bhuvo diśe’pi. “I bow in the direction of Śrī Rādhā, the beloved daughter of Vṛṣabhānu.” This statement is a namaskāra (obeisance). yogīndra-durgama-gatir madhusūdano’pi. This is a vastu-nirdeśa (determination of the subject matter). Śrī Rādhā’s exalted position is the subject matter of this book. “He who is difficult to attain for even the best of yogīs” means that endeavors to attain him by yoga-sādhana and so on simply end in frustration: He can be known only through pure love. That Svayaṁ Bhagavān Śrī Kṛṣṇa considers himself blessed by the breeze risen from her dress. Statements like these proclaiming Śrī Rādhā’s glory comprise the book’s contents. “I offer obeisance toward the place where Śrī Rādhā resides, that bower of love located on the banks of the Kālindī in beautiful Śrī Vṛndāvana.” This statement expresses a profound blessing that the desires of Vṛndāvana’s rasa-sādhakas will be fulfilled. One may ask why a statement like yogīndra-durgama-gatir madhusūdano’pi, which implies bhakti in aiśvarya-bhāva, would be placed at the beginning of a description of Śrī Śrī Rādhā-Kṛṣṇa’s mādhurya-līlā. In reply, it may be said that in the Brahma-Vaivarta-Purāṇa, in the description of the etymology of the word madhusūdana, we see the following:

madhu-klībaṁ ca mādhvīke kṛta-karma śubhāśubhe |

bhaktānāṁ karmaṇāṁ caiva sūdanaṁ madhusūdanam ||

pariṇāmāśubhaṁ karma bhrāntānāṁ madhuraṁ madhu |

karoti sūdanaṁ yo hi sa eva madhusūdanaḥ ||

The word madhu means good and bad karma. He who destroys both the good and bad karma of the devotee, or he who ultimately destroys the harmful but seemingly sweet karma of deluded persons is called Madhusūdana. Feeling humble, Śrīpāda thinks, “While in my life as a māyāvādī, acting as guru to countless sannyāsīs, I obtained the title Yogīndra, King of Yogīs, and considered the inauspicious māyāvāda to be the best of doctrines. Consequently, since māyāvādīs are offensive to Śrī Kṛṣṇa, Madhusūdana remained inaccessible to me. But that Madhusūdana, so difficult for even the best of yogīs to reach, has descended in the form of Śrī Gaura, mercifully refuting my harmful māyāvāda and blessing me with the taste of vraja-rasa.” Or, the word madhusūdana can mean madhu puṣpa-rasaṁ sūdayati khaṇḍayatīti madhusūdanaḥ, meaning “that rasika bumblebee Śrī Kṛṣṇa, who drinks the nectar of Śrī Rādhā’s lips.” Śrī Kṛṣṇa is difficult to attain for even the greatest yogīs like Mahādeva. The pastimes of Śrī Rādhā-Kṛṣṇa are difficult for even Brahmā and Mahādeva to attain. rādhā-kṛṣṇera līlā ei ati gūḍhatara, dāsya bātsalyādi bhābera nā haya gocara, sabe eka sakhī-gaṇera ihā adhikāra, sakhī haite haya ei līlāra bistāra (Śrī-Caitanya-Caritāmṛta, Madhya 8.201-202). “The līlā of Śrī Rādhā-Kṛṣṇa is very deep, beyond the reach of dāsya, vātsalya and other bhāvas. Only the sakhīs can participate in it, and from them it is expanded.” How may I be fortunate enough to taste the rasa-mādhurī of that yogīndra-durgama-gati Madhusūdana’s vraja-līlā? Thinking like this, by Śrīman Mahāprabhu’s mercy Śrīpāda obtained a mystical vision of one madhura pastime while absorbed in his siddha-svarūpa.

Śrī Śrī Rādhā-Mādhava sported in a secret grove of Vṛndāvana. sukhamaya bṛndābane sukhamaya śyāma, sukhamayī rādhā doṅhe anupāma (Mahājana). “Rādhā and Śyāma are most joyful together in the blissful forest of Vṛndāvana.” After making love with Kṛṣṇa, Śrīmatī sat upon the pleasure-bed like a flower garland ravaged by a bumblebee. When Rasika-Śiromaṇi Kṛṣṇa saw Śrī Rādhā’s fatigue, he felt compassion for her. This compassion is not like the compassion toward any other lover. A hint of the kind of compassion that Śrī Kṛṣṇa feels toward Śrī Rādhā, a particle of whose own compassion he always covets, is found in the Sāraṅga-Raṅgadā commentary of verses like taruṇāruṇa-karuṇāmaya vipulāyata-nayanam in Śrī-Kṛṣṇa-Karṇāmṛtam. taruṇe madana-madodgāriṇī svato madhu-pānena cāruṇe ca vījanādinā tac-chramāpanodanārthaṁ hṛdy-udgatvā yā karuṇā tad-udgāriṇī ca svato vipule āyate ca nayane yasya. “To allay Śrī Rādhā’s fatigue from making love, Śrī Kṛṣṇa fans her, and drinking in the honey-wine of her youthful beauty, his reddened lotus eyes widen with compassion for her.” Here also, we can understand that Śrī Kṛṣṇa is feeling this kind of compassion at seeing Śrī Rādhā’s fatigue. In the mood of a svādhīna-bhartṛkā, Śrīmatī demands, “Quickly! Dress and decorate me! If my girlfriends see me like this, they will all laugh.” Understanding the situation, her devoted maidservants have arrived with sandalwood, aloe, musk, collyrium, lac dye and other materials for dressing and decorating her. Rasika-Śiromaṇi Kṛṣṇa dresses Śrīmatī with great attention. When Svāminī sees Kṛṣṇa’s profound absorption in dressing her, a gentle smile comes to her face. The kiṅkarīs also smile as they cover their mouths with their cloths. While dressing her, Śyāma repeatedly looks with tearful eyes at Śrīmatī’s beautiful face. His thirst for tasting the sweetness of her face is never satiated. tṛṣyan muhuḥ smita-sudhāṁ paripāyito’pi. “Even though he constantly drinks the nectar of Śrīmatī’s smile, his thirst remains.” After painting collyrium around Śrīmatī’s restless eyes, Kṛṣṇa becomes agitated! The sight of her beautiful eyes causes a sāttvika-vikāra to appear and his body becomes drenched in sweat. svidyan dṛganta-capalāñcala-vījito’pi. “Though cooled by the side-long glances of Śrīmatī’s restless eyes, he remains covered with perspiration!” Seeing Kṛṣṇa so overwhelmed and perspiring as he dresses his beloved, Śrīmatī gestures to Śrīpāda, standing before her in the form of a kiṅkarī (maidservant), to begin fanning him. By her skillful fanning, Śyāma’s drops of perspiration soon disappear. Then, a curious thought awoke in the kiṅkarī’s mind. She modified her method such that by fanning Śrīmatī’s body the flow of air also goes to Śyāmasundara. The air is happy! Śyāma thinks himself blessed by the touch of the breeze that bears Śrī Rādhā’s fragrance as it rises from the movement of her dress. He considers this breeze to be extremely fortunate. It’s name, gandhavaha, or aroma-bearer, is significant. It carries the extraordinary fragrance of Śrīmatī’s body joined with the aroma of musk smeared upon her breasts. “The wind is fortunate, but I am not.” Seeing Śyāma’s condition, the kiṅkarī drowns in an ocean of joy. One of Śrīmatī’s names is Gandhonmādita-Mādhavā (she whose fragrance drives Mādhava mad)! Śrīpāda is appreciating the significance of this name in the realm of līlā. Suddenly the vision came to an end. Wailing loudly, he rose to his feet. “Hā Rādhe! Where is your sweet līlā?” In his sādhaka mood, he humbly said, “I bow in the direction of Gandhonmādita-Mādhavā Śrī Rādhā.” Śrī Mādhava, intoxicated with love for Śrī Rādhā, also prays in that direction, saying “O direction! Show me the love of my life!” As far as the sādhaka-bhaktas are concerned, for those living in the outside world, the direction of Śrī Vṛndāvana is the direction of Vṛṣabhānu-Nandinī. For those who have taken shelter of Vraja, the direction of Vṛndāvaneśvarī is determined by the statements of śāstra and the mahājanas concerning her presence in either Yāvaṭa or Varṣāṇā during various times of the year. For those sādhakas who have taken shelter of Vraja and are well-established in smaraṇa, wherever Śrīmatī goes during her daily līlā is her direction. Śrīpāda says, “I bow in that direction.”

Śrī-Śrī-Gaura-Govinda-Līlāmṛta Guṭikā 5

After hearing the parrot’s words, Mahāprabhu lay in bed for a while absorbed in thought, then stretched his limbs like a golden bow. Sitting up, he yawned, and the luster from his teeth appeared like a camphor lamp being offered to his moonlike face. His nostrils flared. The hairs on his body bristled like the filaments of a kadamba flower. During a sweet memory of Śrī Śrī Rādhā-Mādhava’s lethargy from drinking rasa in a Vraja bower, a stream of tears flowed from his lotus eyes like the Mandākinī flowing from a golden Meru. His breathing was quick, his eyes reddened with emotion.

After seeing the amazing sāttvika-bhāvas on Śrīman Mahāprabhu’s body, the two Prabhus joyfully entered his sleeping house along with the bhaktas and sat down in their respective places. Understanding Mahāprabhu’s bhāva, Svarūpa Gosvāmī began to sing about Śrī Śrī Rādhā-Kṛṣṇa’s end-of-night pastimes in the bowers of Vraja. When Śrīman Mahāprabhu heard the song, he became immersed in the līlā in the mood of Śrī Rādhā. The two Prabhus and the bhaktas all became immersed in vraja-līlā in their siddha-svarūpas. By Śrī Guru’s mercy, the sādhaka also immersed himself in the service of vraja-rasa in his own mañjarī-svarūpa.

Niśānta-Līlā: Vrajadhāma (2 hours 24 minutes)

From 3:36 AM to 6:00 AM

Śrī-Vraja-Līlā-Vandanā:

श्रीराधाप्राणबन्धोश्चरणकमलयोः केशशेषाद्यगम्या

या साध्या प्रेमसेवा व्रजचरितपरैर्गाढलौल्यैकलभ्या ।

सा स्यात् प्राप्ता यया तां प्रथयितुमधुना मानसीमस्य सेवां 

भाव्यां रागाध्वगाहैर्व्रजमनुचरितं नैत्यिकं तस्य नौमि ॥

śrī-rādhā-prāṇa-bandhoś caraṇa-kamalayoḥ keśa-śeṣādy-agamyā

yā sādhyā prema-sevā vraja-carita-parair gāḍha-laulyaika-labhyā |

sā syāt prāptā yayā tāṁ prathayitum adhunā mānasīm asya sevāṁ 

bhāvyāṁ rāgādhvagāhair vrajam anucaritaṁ naityikaṁ tasya naumi ||

“Loving service to the lotus feet of Śrī Rādhā’s beloved Śrī Kṛṣṇa is beyond the reach of Brahmā, Śiva and Śeṣa, and can only be attained by those who long deeply for the Vraja life. This sevā must be meditated upon by those devoted to the path of rāga. Now I praise Śrī Kṛṣṇa’s daily pastimes in Vraja in order to spread this meditation to others.”

Śrī-Vraja-Līlā-Aṣṭakāla-Sūtra:

कुञ्जाद्गोष्ठं निशान्ते प्रविशति कुरुते दोहनान्नाशनाद्यां

प्रातः सायं च लीलां विहरति सखिभिः सङ्गवे चारयन् गाः ।

मध्याह्ने चाथ नक्तं विलसति विपिने राधयाधापराह्णे

गोष्ठं याति प्रदोषे रमयति सुहृदो यः सः श्रीकृष्णोऽवतान्नः ॥

kuñjād goṣṭhaṁ niśānte praviśati kurute dohanānnāśanādyāṁ

prātaḥ sāyaṁ ca līlāṁ viharati sakhibhiḥ saṅgave cārayan gāḥ |

madhyāhne cātha naktaṁ vilasati vipine rādhayādhāparāhṇe

goṣṭhaṁ yāti pradoṣe ramayati suhṛdo yaḥ saḥ śrī-kṛṣṇo’vatān naḥ ||

“May Śrī Kṛṣṇa protect us. At the end of night he leaves the forest bower and goes to his home. In the morning and early evening, he milks the cows and eats his meals. In the forenoon, he goes with his friends to graze the cows. At midday and late at night, he sports with Śrī Rādhā in the forest. In the afternoon he returns home, and in the late evening, he enjoys activities with his family and friends.”

Śrī-Vrajadhāma-Niśānta-Līlā-Sūtra:

रात्र्यन्ते त्रस्त-वृन्देरित बहुवि-रवैर्बोधितौ कीरशारी-

पद्यैर्हृद्यैरहृद्यैरपि सुखशयनादुत्थितौ तौ सखीभिः ।

दृष्टौ हृष्टौ तदात्वोदित-रतिललितौ कक्खटीगीः सशङ्कौ

राधाकृष्णौ सतृष्णावपि निजनिजधाम्न्याप्ततल्पौ स्मरामि ॥

rātry-ante trasta-vṛnderita bahuvi-ravair bodhitau kīra-śārī-

padyair hṛdyair ahṛdyair api sukha-śayanād utthitau tau sakhībhiḥ |

dṛṣṭau hṛṣṭau tadātvodita-rati-lalitau kakkhaṭī-gīḥ saśaṅkau

rādhā-kṛṣṇau satṛṣṇāv api nija-nija-dhāmny-āpta-talpau smarāmi ||

“I remember Śrī Rādhā-Kṛṣṇa at the end of night. Alarmed that daylight has come, Vṛndādevī sends some parrots and mynahs to waken them with the loud sounds of both pleasant and unpleasant poetry. Along with their sakhīs, they then rise from their peaceful slumber. Seeing each other, Rādhā-Kṛṣṇa become joyful and long for more lovemaking, but then they hear the monkey Kakkhaṭī screeching, become afraid and return to their respective homes and beds.”

The Beauty of Śrī Rādhā-Kṛṣṇa’s Sleeping and Rising from Bed

The best part of the spiritually sweet abode Śrī Vṛndāvana is Śrī Govinda-Sthalī. Śrī Yamunā flows to the north and embraces Govinda-Sthalī with two waterfall arms in the east and west. The area is sloped like the back of a tortoise. A jeweled temple for Śrī Śrī Rādhā-Kṛṣṇa called the yogapīṭha sits in the middle, with four desire-fulfilling trees in the surrounding four corners. Within that there are four pavilions and four bowers. There is a mādhavī pavilion in the northeast corner, a mālatī pavilion in the southeast, a navamallikā pavilion in the southwest and a svarṇayūthī pavilion in the northwest. Śvetāmbuja Kuñja is in the north and is the place where Śrī Rādhā-Kṛṣṇa play games of dice. Nīlāmbuja Kuñja is in the east and is where they are dressed and decorated. They take their meals in Aruṇāmbuja Kuñja in the south and sleep in Hemāmbuja Kuñja in the west. Surrounding that are the kuñjas of the aṣṭa-sakhīs. Outside of that, the number of kuñjas doubles with each circle to sixteen, thirty-two and so on to accommodate countless more sakhīs. In a circle outside of that are the kuñjas of the four doorkeeper sakhīs: Vṛndā in the east, Vṛndārikā in the south, Menakā in the west and Muralā in the north.

Correction to Śrī-Śrī-Gaura-Govinda-Līlāmṛta Guṭikā 3

śrī-gaurāṅga-mahāprabhoś caraṇayor yā keśa-śeṣādibhiḥ

sevāgamyatayā svabhakta-vihitā sānyair yayā labhyate |

tāṁ tan-mānasikīṁ smṛtiṁ prathayituṁ bhāvyā sadā sattamair

naumi prātyahikaṁ tadīya caritaṁ śrīman-navadvīpa-jam ||

“Service to the lotus feet of Śrī Gaurāṅga Mahāprabhu is unattainable by Brahmā, Śiva, Śeṣa and so on, but is bestowed upon his devotees, great souls who think constantly of this sevā. I bow to the daily pastimes of Śrī Gaurāṅga Mahāprabhu in Śrī Navadvīpa with the hope this meditation will spread to others.”

Śrī-Śrī-Gaura-Govinda-Līlāmṛta Guṭikā 4

The end of night had come. Accustomed to performing sevā at this time, the sādhaka-dāsa woke and washed his hands, face and so on. Then he woke Śrī Gurudeva, massaged his feet and assisted him in washing his hands and face. He served all of his gurus in this way. Śrīvāsa’s garden is enchanting at the end of night. The soft, vernal breeze on the bosoms of the mallikā and mālatī flowers caused them to awaken and sway slowly as though dancing. Caressed by the breeze and the moonlight, the flowers opened and spread their fragrance to the horizon. That fragrance roused the bees, and while emitting a soft, sweet hum, they began to drink the flowers’ nectar. The cuckoos and other birds began to warble sweetly in the fifth note.

By the order of Śrī Gurudeva and in allegiance to Śrī Rūpa, Sanātana and the other Gosvāmīs, the sādhaka-dāsa prepared the articles required for sevā at the end of night. First, he cleansed the veranda around Śrīman Mahāprabhu’s pavilion with perfumed water and a golden broom, then wiped it dry with a fine cloth. Then he placed a carpet on the eastern side of the veranda and upon that three jeweled seats for the three Prabhus. The seats each had back and side pillows and a soft cushion. For them to wash their mouths and so on, he provided golden pots filled with water and covered with fine cloths. Nearby, he kept small basins made of gold. After picking flowers and stringing them into garlands, he then ground sandalwood paste, saffron and other substances to make tilaka for the three Prabhus. This he stored in a golden cup. For ārati, he arrayed ghee and camphor lamps, fragrant flowers, incense and other articles upon a jeweled platter. He placed mṛdaṅgas and karatālas in the appropriate place on a golden four-legged table. Then he cleaned the verandas of the sleeping houses of Śrī Nityānanda Prabhu and Śrī Advaita Prabhu with fragrant water and a golden broom.

At that time Śrīman Mahāprabhu was awakened by the fragrance of the flowers and the sweet sounds of the birds and the bees. He had a pleasant memory of Śrī Vṛndāvana and, absorbed in prema, he began to roar, waking all the others. Śrīman Nityānanda Prabhu and Śrī Advaita Prabhu rose from their beds. The servants assisted them and their associates in washing their faces and so on. Everyone then came to Śrīman Mahāprabhu’s sleeping house and peeked through the windows, eager to see his beauty as he awoke. 

Śrīman Mahāprabhu is lying on a jeweled bedstead with a mattress as soft and white as the foam on milk, which is suitable for the season. Śrī Gaurasundara’s limbs are the color of molten gold, his arms hang down to his knees, he has large lotus-petal eyes and he is clothed in reddish upper and lower garments. He is adorned with sāttvika-bhāvas such as tears and trembling like that of the divine lovers Śrī Rādhā-Mādhava as they embrace while lying in a Vraja-bower. Whether he is awake or dreaming is not clear as he speaks indistinct sweet words with half-closed eyes. Above his bed hangs a multicolored, tasseled canopy decorated with gemstones and symbols of lotuses, swastikas and so on, and tied to four golden poles at the bed’s four corners. Bathed in the luster of Śrī Gaurāṅga’s smooth and radiant body the jeweled lamps appear like campaka buds. Around the bed, pots of fragrant water, drinking cups, bowls of tāmbūla, a cāmara, a peacock-feather fan and other articles for sevā have been placed on golden tables. Beautiful parrots sit in golden cages. At Śrī Svarūpa Gosvāmī’s signal, the parrots began to awaken Mahāprabhu with respectful words. “O Lord Viśvambhara! O Śacīnandana! O Navadvīpa-Candra! May you be victorious. The night has become morning. The sun has clearly risen in the east. The bees have begun to hum, excited by the sweet fragrance of blossoming flowers awakened by the gentle touch of the moonlight and the Malaya breeze. The cuckoos and other birds are warbling in sweet tones. Your beloved Śrī Nityānanda Prabhu, Śrī Advaita Prabhu, Svarūpa-Dāmodara and the other bhaktas are standing around your sleeping-house waiting for you to awaken. All the town’s brāhmaṇas are going home after bathing in the Gaṅgā and reciting hymns. Please go sleep in your own house until your anxious mother comes to wake you.”

Śrī-Śrī-Gaura-Govinda-Līlāmṛta Guṭikā 3

Śrī-Śrī-Aṣṭakālīya-Līlā

Niśānta-Līlā: Navadvīpa (2 hours 24 minutes)

From 3:36 AM to 6:00 AM

Śrī-Navadvīpa-Līlā-Vandanā:

श्रीगौराङ्गमहाप्रभोश्चरणयोर्या केशशेषादिभिः

सेवागम्यतया स्वभक्तविहिता सान्यैर्यया लभ्यते ।

तां तन्मानसिकीं स्मृतिं प्रथयितुं भाव्या सदा सत्तमै-

र्नौमि प्रात्यहिकं तदीय चरितं श्रीमन्नवद्वीपजम् ॥

śrī-gaurāṅga-mahāprabhoś caraṇayor yā keśa-śeṣādibhiḥ

sevāgamyatayā svabhakta-vihitā sānyair yayā labhyate |

tāṁ tan-mānasikīṁ smṛtiṁ prathayituṁ bhāvyā sadā sattamair

naumi prātyahikaṁ tadīya caritaṁ śrīman-navadvīpa-jam ||

“Service to the lotus feet of Śrī Gaurāṅga Mahāprabhu is unattainable by Brahmā, Śiva, Śeṣa and so on, but is bestowed upon his devotees, great souls who think constantly of this sevā. I bow to the daily pastimes of Śrī Gaurāṅga Mahāprabhu in Śrī Navadvīpa with the hope this meditation will spread to others.”

Śrī-Navadvīpa-Līlā-Aṣṭakāla-Sūtra:

रात्र्यन्ते शयनोत्थित-सुरसरित्स्नातो बभौ यः प्रगे

पूर्वाह्णे सगणैर्लसत्युपवने तैर्भाति मध्याह्नके ।

यः पूर्यामपराह्णके निजगृहे सायं गृहेऽथाङ्गने

श्रीवासस्य निशामुखे निशिवसन् गौरः स नो रक्षतु ॥

rātry-ante śayanotthita-sura-sarit-snāto babhau yaḥ prage

pūrvāhṇe sagaṇair lasaty upavane tair bhāti madhyāhnake |

yaḥ pūryām aparāhṇake nija-gṛhe sāyaṁ gṛhe’thāṅgane

śrīvāsasya niśā-mukhe niśi-vasan gauraḥ sa no rakṣatu ||

“May Śrī Gaurāṅga Mahāprabhu protect us. He rises from his bed at the end of night, bathes in the Gaṅgā in the morning, and then during the forenoon and midday performs pastimes with his companions in the forest groves. In the afternoon, he roams about town and then returns to his home in the evening. He spends the first and last periods of night in the courtyard of Śrīvāsa Ṭhākura’s home.”

Śrī-Navadvīpa-Niśānta-Līlā-Sūtra:

प्रगे श्रीवासस्य द्विजकुलरवैर्निष्कुटवरे

प्रतिध्वान-प्रख्यैः सपदि गतनिद्रं पुलकितम् ।

हरेः पार्श्वे राधा-स्थितिमनुभवन्तं नयनजै-

र्जलैः संसिक्ताङ्गं वर-कनकगौरं भज मनः ॥

prage śrīvāsasya dvija-kula-ravair niṣkuṭa-vare

pratidhvāna-prakhyaiḥ sapadi gata-nidraṁ pulakitam |

hareḥ pārśve rādhā-sthitim anubhavantaṁ nayana-jair

jalaiḥ saṁsiktāṅgaṁ vara-kanaka-gauraṁ bhaja manaḥ ||

“O mind! Worship the golden-hued Śrī Gaurasundara. At daybreak, after hearing the sweet warbling of the birds in Śrīvāsa’s flower garden, he awoke in vraja-bhāva, delighted in heart and mind. Perceiving Śrī Rādhā next to Śrī Kṛṣṇa in the bower-cottage, he bathed himself in tears.”

The Beauty of Mahāprabhu’s Sleeping and Waking:

Spiritually sweet Śrī Navadvīpa Dhāma is surrounded by the Gaṅgā. Śrīman Mahāprabhu’s home is located in the center. Śrīvāsa Ṭhākura’s home is in the north-east corner of the town and his flower-garden extends to the north-east of that to the bank of the Gaṅgā. The garden is enjoyable in all six seasons and the beautiful environment is most pleasant. In the garden there are three four-sided, jeweled pavilions for Śrīman Mahāprabhu, Śrī Nityānanda Prabhu and Śrī Advaita Prabhu. The middle pavilion is for Śrīman Mahāprabhu and is adorned with gold. The one to Mahāprabhu’s right is for Śrī Nityānanda Prabhu and is adorned with sunstones, and the one to Mahāprabhu’s left is for Śrī Advaita Prabhu and is adorned with moonstones. Each pavilion has four doors adorned with arches, latchstrings and flower garlands, and the walls are inlaid with shimmering gems. The panels of the doors and windows are studded with sapphires. The floors of the pavilions are made of gold inlaid with various jewels and their spires are beautified by golden pots, cakras and flags. 

At night, the three Prabhus sleep on jeweled bedsteads in their respective pavilions. Their associates sleep in their own cottages on the sides of each pavilion. For example, Gadādhara, Śrīvāsa, Haridāsa and other bhaktas are situated on the eastern side of Śrīman Mahāprabhu’s mandira. On the southern side are Svarūpa Dāmodara and the rest of the eight mahāntas. On the western side are Śrī Narahari Sarakāra, Murāri and others. Śrī Rūpa, Sanātana and the rest of the eight gosvāmīs sleep on the northern side along with their followers. Śrī Vīracandra, Rāmadāsa, Uddhāraṇa Datta and so on sleep on the respective four sides of Śrī Nityānanda Prabhu’s pavilion and Śrī Acyutānanda, Śrī Yadunandana and others sleep on the four sides of Śrī Advaita Prabhu’s. The sādhaka-dāsa rests at Śrī Guru’s feet in the sleeping house of the gurus in his parivāra. Various kinds of birds and bees sleep on various kinds of trees and creepers.